Your Book is Not Your Baby

I hate it when authors call their book their baby. I understand why some authors say this. I get that your book came from you, that you’ve nurtured and loved it. But still. The metaphor makes me cringe. More than that, I think it can be a somewhat damaging way to think about your book …

  • If you love your book too much, you’ll find it impossible to redraft – because redrafting sometimes requires you to brutally hack up and rebuild your manuscript. (Hmm, I suppose your book could be like a Frankenstein baby …)
  • If you hand your book over to a professional editor like me, you’ll think the treatment it receives is death by a thousand cuts. Again, being too precious about your book will make it difficult to accept that all the little changes an editor makes are to enhance (not deform) your manuscript.
  • You are not the holy virgin Mary; babies aren’t created by one person alone. Nor are novels, for that matter, but there’s probably way more than one father. (I’m not calling you names or anything.) But it’s useful to remember that your novel is not exclusively an extension of you. Conversations you’ve had with people, feedback you’ve received, stories or events that have influenced you … All of these things have gone into your novel, and it would be a disservice to everyone and everything involved to deny that.
  • A good piece of common advice is that once you’ve completed your first draft, stick it in a drawer and forget about it for a month or two. Please don’t do this to a baby.
  • Likewise, sometimes the book you’ve written is not the book that’s ready to be released into the world. It’s okay to keep a manuscript in a drawer forever. Not so much a human child.

That you’ve written a book is an amazing achievement. You should be immensely proud of your creation. And there’s a kind of magic to the creativity involved, just as there is in the creation of a human being. But please, don’t call your book your baby. Because, quite frankly, it does not deserve the same kind of unconditional love.

Now, go get your axe.


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By | 2019-01-31T17:47:03+00:00 January 22nd, 2019|Novel Writing|0 Comments

About the Author:

Sophie Playle of Liminal Pages is a professional fiction editor. She worked at the largest publishing company in the world before gallivanting off to do a Creative Writing MA at Royal Holloway, University of London. She's an Advanced Professional Member of the Society for Editors and Proofreaders, and she trained with The Publishing Training Centre. Every now and then, she slips her laptop into her rucksack and works from a different country for a few weeks.

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