How to Write Conflict Without a Villain – Lessons from The Miniaturist by Jessie Burton

Every novel needs conflict, and every novel needs antagonistic forces. But this doesn’t mean you need a villain (a person who actively sets out to thwart the hero). No; conflict, challenge and opposition can come from all kinds of places, as proven in The Miniaturist by Jessie Burton.

Set in seventeenth-century Amsterdam, Nella arrives in her new city home after marrying merchant Johannes Brandt – a man she barely knows. He avoids consummating their marriage and leaves Nella to settle into her new life in a household occupied by her frosty sister-in-law, Marin, and two servants, Cornelia and Otto. As a wedding gift, Johannes presents Nella with a miniature replica of their house – but the items Nella orders from the Miniaturist to populate her cabinet house are uncomfortably accurate and strangely prophetic …

The Miniaturist is beautifully written, full of layers and delicately interwoven imagery, and explores powerful themes of power and prejudice, morality and society. Though I’ve tried to talk more generally, this analysis contains mild spoilers, so if you haven’t read this book, I recommend you do so before reading the rest of this post!

There are many forces working against the main characters, yet no real villain. Here are some of the ways this novel uses antagonistic forces to create conflict. You might consider using some of these ideas in your own novel.

1. Friend or foe?

When Nella arrives in her new home, she finds herself living with strangers. She barely knows her husband, his sister and their two servants. Will they be kind to Nella? Cruel? When Nella employs the Miniaturist to create items for her cabinet house, the items sent uncannily mirror details of the house and the people in it, and this makes Nella question the Miniaturist’s intentions. (Is she being spied on? Why?) At first it’s not clear who is an enemy and who is an ally.

2. Conflicting desires

Nella wants nothing more than to fulfil her role as wife, and that includes become pregnant as soon as possible. But her husband remains allusive, and it transpires Johannes will never have the life he wants, either. In another plot thread, Marin wants love and passion, but not at the expense of her own freedom and authority, and her choices are always the lesser of two evils; when she gains in one area, she loses in another.

3. Unfriendly relations

Johannes has been employed by Agnes and Frans Meermans to sell their stock of sugar, but Johannes and Frans dislike each other greatly. This conflict simmers below the surface of every interaction they have, and Johannes’ unwillingness to please his clients creates a lot of problems for the whole household. Nella’s speculation about Frans creates more tension as she tries to understand the motives behind everyone’s actions.

4. Immoral choices

Jack is the closest character we get to a villain. Reeling after his secret is revealed, he becomes angry and violent – and sacrifices Johannes to save himself. Jack’s actions are cruel and immoral, but driven by fear and oppression, not a desire to be evil.

5. Unjust society

Finally, the laws and social conventions of seventeenth century Amsterdam provide the characters with some of their greatest challenges. Both Otto (a black man) and the Miniaturist (a foreign woman) are driven to exile. Both Johannes and Marin face tragedy because they don’t follow society’s expectations of them. Nella must learn how to manage a household of social misfits.

These are just a few ways you can add tension to your novel, and provide complications and challenges for your protagonist to overcome, without a villain. Read The Miniaturist by Jessie Burton to see exactly how it’s done.


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By | 2018-01-09T12:34:06+00:00 November 28th, 2017|Book Reviews|0 Comments

About the Author:

Sophie Playle of Liminal Pages is a professional fiction editor. She worked at the largest publishing company in the world before gallivanting off to do a Creative Writing MA at Royal Holloway, University of London. She's an Advanced Professional Member of the Society for Editors and Proofreaders, and she trained with The Publishing Training Centre. Every now and then, she slips her laptop into her rucksack and works from a different country for a few weeks.

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